https://davidbarkerfilms.com David Barker / Filmmaker Tue, 05 Mar 2019 03:29:02 +0000 https://davidbarkerfilms.com en https://davidbarkerfilms.com/Home Mon, 04 Mar 2019 21:05:59 +0000 David Barker / Filmmaker https://davidbarkerfilms.com/Home David&nbsp;Barker Editor Films as Director Screenwriting Etc. “Cinema is an invention without a future”— Louis Lumière, 1895 https://davidbarkerfilms.com/About Mon, 04 Mar 2019 21:05:59 +0000 David Barker / Filmmaker https://davidbarkerfilms.com/About ABOUT HOME︎ David Barker studied philosophy and anthropology before turning to film, where he is an editor, screenwriter and director.&nbsp; A member of ACE, he is best known for his extensive work as an editor - particularly in fiction with director Josephine Decker and in documentary (also as co-writer) with Petra Costa. As an editor and writer, he has been involved with a number of projects dealing with the challenges to democracy and societies in crisis including three documentaries: The Edge of Democracy (co-writer/editor) and Navalny (editorial consultant), both nominated for Academy Awards, as well as Costa’s new film Apocalypse in the Tropics (co-writer/editor); two fiction films by Nepali new wave director &nbsp;Deepak Rauniyar: White Sun (editor and writer) and the Pooja, Sir (writer), both of which premiered at the Venice Film Festival.&nbsp; He is currently writing several episodes of a fiction series being developed by HBO that explores these issues. Other doc credits include Costa’s Olmo and the Seagull, Zachary Heinzwerling’s Hulu series Stolen Youth, and Pacho Velez and Sierra Pettengill’s The Reagan Show. In fiction, he edited director Josephine Decker’s Sundance Special Jury Prize-winning Shirley&nbsp;as well as consulted on&nbsp; Madeline’s Madeline and Butter on the Latch, and was co-writer and editor of Thou Wast Mild and Lovely, and additional editor on The Sky is Everywhere. He wrote and directed directed two microbudget films: the feature Daylight, which was the ‘Critic’s Pick’ in both The New York Times and The New York Post&nbsp;on its release Afraid of Everything featuring actresses Nathalie Richard (Irma Vep) and Sarah Adler (Notre Musique) premiered at the Sundance Film Festival and was called “A miracle of indie filmmaking” byThe New York Post. He is currently developing a series set in 1970s Chile which has received support from The Sloan Foundation, Tribeca Film Institute, and The Gotham TV-Series Lab. Besides making films, he has been active in distributing and programming other filmmakers’ work: as artistic director of the Cinematexas International Short Film Festival, founded by Athina Rachel Tsangari, (called ‘the most inspiring and significant film festival in the country’ by IndieWIRE during his tenure), and co-founder of Noon Pictures, an independent distribution and sales company that released films by filmmakers such as Jean-Luc Godard, Harun Farocki Laura Mulvey, and Isaac Julien. David has taught extensively as a visiting professor at Brown University, Bard College, Boston University, and University of Austin at Texas, among other institutions. He studied filmmaking and criticism with filmmaker Jean-Pierre Gorin and cinematographer/ filmmaker Babette Mangolte (Jeanne Dielman), and philosophy with Giorgio Agamben and Jacques Rancière. He lives and works in New York City and Santiago, Chile. &nbsp; &nbsp; CONTACT https://davidbarkerfilms.com/Editor-1 Mon, 04 Mar 2019 21:33:36 +0000 David Barker / Filmmaker https://davidbarkerfilms.com/Editor-1 EDITOR HOME︎ CHASING SUMMER Josephine Decker &nbsp;2026 Sundance Film Festival, 2026 SXSW editor&nbsp; &nbsp;RECLAIM THE FLAG(short) Alex Bittar &nbsp;Produced by Bruxe Cohen editor&nbsp; &nbsp;APOCALYPSE IN THE TROPICS Petra Costa&nbsp; &nbsp; Busca Vida/Plan BVenice Film Festival, Telluride Film Festival, New York Film Festival 2024. Winner, “Best Writing” and “Best Production” 2025 IDA Awards. Nominated “Best Documentary” 2026 BAFTAS.&nbsp; Shortlist, Best Documentary, 2026 Academy Awards. <img width="1798" height="1014" width_o="1798" height_o="1014" data-src="https://freight.cargo.site/t/original/i/b6efed51e717521bf5590a0053857a1bf073f2b1be590bc66b0e636b5d38d25a/Apocalypse-in-the-Tropics.png" data-mid="235278063" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/b6efed51e717521bf5590a0053857a1bf073f2b1be590bc66b0e636b5d38d25a/Apocalypse-in-the-Tropics.png" /> co-writer/editor&nbsp; &nbsp;MY MOTHER IS A COW(short)&nbsp; Moara Passoni&nbsp; &nbsp; Uvaia Filmes Venice Film Festival, AFI Film Festival 2024 co-editor&nbsp; &nbsp; FAMILY&nbsp; &nbsp;&nbsp; Benjamin Finkel&nbsp; &nbsp; Endeavor Content/51 Entertainment Winner, Kickstarter NextGen Award, SXSW&nbsp; Win editor&nbsp; &nbsp;STOLEN YOUTH&nbsp; &nbsp;&nbsp; Zachary Heinzerling Story Syndicate/Hulu Nominated, Best Doc Series, Spirit Awards editor&nbsp; &nbsp; NAVALNY&nbsp; &nbsp; Daniel Roher CNN/HBO MAXWinner, Best Documentary, 2023 Academy Awards editorial consultant <img width="1600" height="600" width_o="1600" height_o="600" data-src="https://freight.cargo.site/t/original/i/65d9342d4588ba2f3b8064fbdacdf880a06cd599e1d70c5b98839ddde580ef56/navalny-017911_5749.jpeg" data-mid="167235949" border="0" src="https://freight.cargo.site/w/1000/i/65d9342d4588ba2f3b8064fbdacdf880a06cd599e1d70c5b98839ddde580ef56/navalny-017911_5749.jpeg" />&nbsp; THE SKY IS EVERYWHERE Josephine Decker Apple Films/A24 &nbsp; additionaleditor&nbsp; &nbsp;<img width="1640" height="1638" width_o="1640" height_o="1638" data-src="https://freight.cargo.site/t/original/i/ca0b52de0a8a5cbe214258303e72c80004b37f321f306801737317197f3b1ee2/sky1-mediumSquareAt3X.jpeg" data-mid="167235870" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/ca0b52de0a8a5cbe214258303e72c80004b37f321f306801737317197f3b1ee2/sky1-mediumSquareAt3X.jpeg" /> BIRDS OF PARADISE Sarah Adina Smith&nbsp; Amazon Films/Anonymous Content (2020)inner editor ÊXTASE Moara Passoni Produced by Petra Costa Winner, Jury Prize: Montreal Festival of New Cinema.&nbsp; Winner, Best First Film: São Paolo film critics Association. Opening Night film, CPH:Dox Main Competition.nne rao&nbsp; editor / co-writer &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; SHIRLEY Josephine Decker Killer Films / LAMF Winner, Special Jury AwardSundance Dramatic Competitioninner editor THE EDGE OF DEMOCRACY Petra Costa Netflix / Busca Vida Filmes Nominated, Best Documentary, Academy Awards (2020), Sundance Film Festival (2019)&nbsp; Nominated ‘Best Documentary’ Gotham Awards.&nbsp; Winner, Directing Award, DOCNYC.&nbsp; Nominated Best Film, Best Writing, Best Director, International Documentary Awards.&nbsp; ‘Ten Best Films of the Year,’ The New York Times. editor / co-writer <img width="1100" height="619" width_o="1100" height_o="619" data-src="https://freight.cargo.site/t/original/i/acb43179d15efd2a856863630545b8bcdc01de556a9acc02357a13eada75b24a/19841-1-1100.jpg" data-mid="38725813" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/acb43179d15efd2a856863630545b8bcdc01de556a9acc02357a13eada75b24a/19841-1-1100.jpg" /> BUCK RUN Nick Frangione Intuition Films Winner, Best International Feature, Santorini Film Fest. Winner, Best Feature, Flickers Rhode Island Int’l Film Fest. Winner, Best International Feature, Nordic Int’l Film Fest editor inematography, Soirit&nbsp; MADELINE’S MADELINE Josephine Decker Krista Parris / Third Room Productions Sundance Film Festival (2018), Berlin Film Festival (2018), Nominated, Best Feature + Breakthrough Actor, Gotham Awards.&nbsp; Nominated, Best Female Lead, Best Cinematography, Spirit Awards. editorial consultant HUMAN AFFAIRS Charlie Birns Krista Parris Slamdance Film Festival (2018) editor / co-writer THE REAGAN SHOW Pacho Velez / Sierra Pettengill CNN Films / Impact PartnersTribeca Film Festival (2017), Locarno Film Festival (2017). Nominated for Outstanding Editing, Cinema Eye Honors (2018). editor <img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/901c71c854549bb5ebe8131cc1ae3c5ffdd61f3f03a67221024a5e16b471d554/The_Reagan_Years_WEB-600x338.jpg" data-mid="36823246" border="0" src="https://freight.cargo.site/w/600/i/901c71c854549bb5ebe8131cc1ae3c5ffdd61f3f03a67221024a5e16b471d554/The_Reagan_Years_WEB-600x338.jpg" /> WHITE SUN Deepak Rauniyar Louverture Films / Joslyn Barnes / Danny GloverVenice Film Festival, Toronto Film Festival, New Directors / New Films, Winner: Interfilm Award Venice Film Festiva, Best Film: Palm Springs Film Festival, Best Film: Singapore Film Festival, Audience Award / Jury Prize: Fribourg Film Festival, Nepal entry to the Academy Awards. editor / screenwriter AD INEXPLORATA Mark Elijah Rosenberg Paramount Pictures / 3311 Productions editor OLMO AND THE SEAGULL Petra Costa / Lea Glob Zentropa Productions / Som e Furia Best Film, Nordic Competition, CPH: Dox (2014), Locarno Film Festival Young Critics Prize. additional editor / script consultant FUNNY BUNNY Alison Bagnall Magic Owl ProductionsSXSW Narrative Competition (2015) Winner Best Editing, Brooklyn Film Festival. editor THOU WAST MILD AND LOVELY Josephine Decker Third Room ProductionsBerlin International Film Festival (2014)Sarasota Film Festival: Winner, Independent Visions Grand Prize and Tangerine Entertainment’s Juice Award.“Top 10 Films of the Year” The New Yorker editor / co-writer&nbsp; <img width="1680" height="950" width_o="1680" height_o="950" data-src="https://freight.cargo.site/t/original/i/26a7a1bf1bd0451f853efb0ad3d65fabea9724f445ee6d7191a160444dfee5c8/HANDS-THOU_WAST_MILD_AND_LOVELY_dir_Josephine_Decker_DP_Ashley_Connor-copy.png" data-mid="38976739" border="0" src="https://freight.cargo.site/w/1000/i/26a7a1bf1bd0451f853efb0ad3d65fabea9724f445ee6d7191a160444dfee5c8/HANDS-THOU_WAST_MILD_AND_LOVELY_dir_Josephine_Decker_DP_Ashley_Connor-copy.png" /> BUTTER ON THE LATCH Josephine Decker Third Room ProductionsBerlin International Film Festival (2014)“Top 10 Films of the Year” The New Yorker editorial consultant&nbsp; BIG MEN Rachel Boynton Boynton Films / Plan B EntertainmentOpening Night film — Tribeca Film Festival Documentary Competition (2013). consulting editor&nbsp; HIGHWAY Deepak Rauniyar Louverture FilmsBerlin International Film Festival (2012)Opening night film — Museum of Modern Art Contemporasian festival. editor HERE Braden King Parts &amp; LaborNew York Times Critic’s Pick, New York Post Critic’s Pick (2011). editor AFRAID OF EVERYTHING David Barker Sundance Film Festival (1999).&nbsp; editor SHORTS WHEN DOGS TALKED Elizabeth Povinelli / Liza Johnson Melbourne International Film Festival (2015)&nbsp; — Winner, Best Short Fiction Film. editor <img width="1024" height="576" width_o="1024" height_o="576" data-src="https://freight.cargo.site/t/original/i/413d78837640e6777e3ffa0ea81096ee723b55fff236fff3fc3425a0ae0b2a12/when_the_dogs_talked_1_-_credits_by_karrabing_film_collective.png" data-mid="38978658" border="0" src="https://freight.cargo.site/w/1000/i/413d78837640e6777e3ffa0ea81096ee723b55fff236fff3fc3425a0ae0b2a12/when_the_dogs_talked_1_-_credits_by_karrabing_film_collective.png" /> WINDJAMERRU Elizabeth Povinelli Karrabing Cultural CorporationMelbourne International Film Festival (2015). editor&nbsp; KNIGHTSVILLE Alissa Migliori Atlanta Film Festival, Sarasota Film Festival, Maryland Film Festival (2015). supervising editor LLANO DEL RIO Jesper Just Projects by Apart James Cohan Gallery, New York. editor SOMEONE ELSE’S HEART Zach Wigon Parts &amp; LaborBaltimore Film Festival.Winner, Hammer to Nail short film contest. editor SEVEN DAYS David Barker Rotterdam Film Festival (2004). editor CONTACT https://davidbarkerfilms.com/Films-as-Director Mon, 04 Mar 2019 22:05:28 +0000 David Barker / Filmmaker https://davidbarkerfilms.com/Films-as-Director FILMS AS DIRECTOR HOME︎ AFRAID OF EVERYTHING 1999, 80 mins Iris (Sarah Adler in her first role) comes to visit her sister Anne (Nathalie Richard) one year after a debilitating accident. A darkly comic film of quiet revelations. &nbsp; &nbsp; Starring Nathalie Richard, Sarah Adler, Daniel Aukin. Cinematography by Deborah Eve Lewis. Music by Stewart Wallace.&nbsp; Premiere Sundance Film Festival. <img width="308" height="218" width_o="308" height_o="218" data-src="https://freight.cargo.site/t/original/i/e98681f3683bdcd0e6764e473557b29639b4a3e494d177a725290aa59fb65d6e/anne_donnie.jpg" data-mid="36824714" border="0" data-scale="30" src="https://freight.cargo.site/w/308/i/e98681f3683bdcd0e6764e473557b29639b4a3e494d177a725290aa59fb65d6e/anne_donnie.jpg" /> <img width="326" height="218" width_o="326" height_o="218" data-src="https://freight.cargo.site/t/original/i/85c24327442b3148512fb59483a290b7bf6b69171f7312090df38559b4ec05dc/two_sisters.jpg" data-mid="36824715" border="0" data-scale="30" src="https://freight.cargo.site/w/326/i/85c24327442b3148512fb59483a290b7bf6b69171f7312090df38559b4ec05dc/two_sisters.jpg" /> “The intelligence that permeates David Barker’s rigorous, personal, and deeply textured first feature is striking&nbsp;... distinctly unlike other works populating the American indie film landscape. &nbsp; &nbsp; — Sundance Film Festival Catalogue. &nbsp; &nbsp; “Hollywood can’t beat this!&nbsp; A miracle of Indie filmmaking.” &nbsp; &nbsp; — The New York Post “Intriguing, accomplished&nbsp;... discards the didactic tone of so much American independent filmmaking in favor of a character study that leads to no easy conclusions. Here's hoping some adventurous producer will allow Mr. Barker to take his gifts further.” &nbsp; &nbsp; —The New York Times “A great and important work. Bressonian in its austerity, capturing the mystery of being as deeply as Bresson does. I highly recommend it.” &nbsp; &nbsp; — Ray Carney, author Cassavetes on Cassavetes DAYLIGHT 2009, 80 mins A revisionist genre film about an upwardly mobile couple that is a few weeks away from the birth of their first child.&nbsp; When a family wedding draw them out of Manhattan to venture upstate, the lose their way on unfamiliar wooded roads. What was supposed to be a regular drive alters their lives forever. &nbsp; &nbsp; Starring Alexandra Meierhans, Ivan Martin, Michael Godere.&nbsp;Cinematography by Nils Kenaston. Music by Stewart Wallace. “Critic’s Pick! An unusually delicate psychological thriller.... [Barker’s] films coax us into looking below the surface.” &nbsp; &nbsp; —The New York Times <img width="393" height="222" width_o="393" height_o="222" data-src="https://freight.cargo.site/t/original/i/254862437088e76ed51e02b8a392a6b1002966ffbe10283d60e56c0bc42abdfe/DAYLIGHTstill1.jpg" data-mid="36825257" border="0" data-scale="30" src="https://freight.cargo.site/w/393/i/254862437088e76ed51e02b8a392a6b1002966ffbe10283d60e56c0bc42abdfe/DAYLIGHTstill1.jpg" /> “Critic's Pick! This isn’t your usual exploitation flick. It grows more unpredictable and erotic with each new scene…” — Vincent Musseto, The New York Post “Daylight takes a standard kidnapping plot and turns it inside out. Barker and his formidable stars ... have written a script that concentrates on fleshed-out characterizaton, leaves the audience to connect the dots and demolishes genre clichés.” — The Los Angeles Times. <img width="393" height="222" width_o="393" height_o="222" data-src="https://freight.cargo.site/t/original/i/69d45272ee4b6f1861ce33b908c97dfbea881a19a95ec678b0c00333a8137471/DAYLIGHT-STILL-2.jpg" data-mid="36825256" border="0" data-scale="30" src="https://freight.cargo.site/w/393/i/69d45272ee4b6f1861ce33b908c97dfbea881a19a95ec678b0c00333a8137471/DAYLIGHT-STILL-2.jpg" /> “Favorably compared to the work of Michael Haneke, this psychological thriller follows couple Daniel (Aidan Redmond) and Irene (the very pregnant Alexandra Meierhans) as they pick up a seemingly-innocent hitchhiker (Michael Godere) on their way to a wedding. But it’s not all screaming and melodrama as the film unfolds into something a bit more subtle and tense, with director David Barker infusing quiet eroticism and benevolence on the proceedings … even some of the biggest names in the industry can't do this." — Playlist / IndieWIRE SEVEN DAYS 2004, 10 mins A short film about Richard Nixon, his Irish Setter, and the bombing of Cambodia.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Cinematography by Nils Kenaston. Music by Stewart Wallace. “A clever and comic short film in the spirit of the White House satire. It doesn't focus on Bush but on Nixon (or rather his dog) even though the film also meshes with the present situation. In Seven Days, our view of the president is restricted to knee height because it is filmed from the perspective of the Irish Setter King Timahoe. It's the first week the new president is spending in the famous Oval Office and he has given himself the task of making his new dog affectionate. At first he is not very successful. The war that got out of hand (then Vietnam) and the death of Eisenhower (his great example) do not seem too get through to him, but the dog's reticence drives him mad. In only 10 minutes, Barker manages to sketch a completely absurd situation (with all the necessary political implications), and in his approach he is just as cautious as the shy dog. The things such an Oval Office has to put up with.” — Rotterdam Film Festival. &nbsp; <img width="294" height="218" width_o="294" height_o="218" data-src="https://freight.cargo.site/t/original/i/5bb6278356e2e3c0bd16585620c34c83483fa25c837eecfc0c6f43bce6fa3107/Seven-Days.jpg" data-mid="36825567" border="0" data-scale="30" src="https://freight.cargo.site/w/294/i/5bb6278356e2e3c0bd16585620c34c83483fa25c837eecfc0c6f43bce6fa3107/Seven-Days.jpg" /> Screened at over 40 international festivals and venues. CONTACT https://davidbarkerfilms.com/Screenwriting Tue, 05 Mar 2019 03:12:20 +0000 David Barker / Filmmaker https://davidbarkerfilms.com/Screenwriting SCREENWRITING (produced) HOME︎ CORINTHIANS DEMOCRACY&nbsp; HBO fiction series based on the true story of a Brazilian soccer team that became a democracy and helped lead the way to open elections - while winning the championship. co-creator/ writer&nbsp; A WANT IN HER Directed by Myrid CartenIDFA 2024, winner “Best Feature Documentary,” “Best Debut Director Feature Documentary,” and “Raindance Maverick Award” 2025 BIFA Awards&nbsp; Nominated, “Best British Debut” 2026 BAFTAS story editorAPOCALYPSE IN THE TROPICS Directed by Petra Costa.Venice Film Festival, Telluride Film Festival, New York Film Festival 2024 co-writer POOJA, SIR Directed by Deepak Rauniyar. Venice Film Festival 2024 writer ÊXTASE Directed by Moara Passoni. Winner, Jury Prize: Montreal Festival of New Cinema.&nbsp; Winner, Best First Film: São Paolo film critics Association. Opening Night film, CPH:Dox Main Competition. co-writer THE EDGE OF DEMOCRACY Directed by Petra Costa.&nbsp; Sundance World Documentary Competition (2019).&nbsp; Academy Award nominee, Best Documentary co-writer] HUMAN AFFAIRS Directed by Charlie Birns. Slamdance Film Festival (2018). co-writer <img width="5120" height="2880" width_o="5120" height_o="2880" data-src="https://freight.cargo.site/t/original/i/15e7a78a62de2373c73ad98dce10732e45efd9b6daa8da8821c8e96d113b7350/MV5BYmJlNDFhZWYtZGM3Ni00YjRhLWI4N2EtMzEyNmNmYTE2NzlmXkEyXkFqcGdeQXVyMjEzMDI2NDQ._V1_.jpg" data-mid="36839512" border="0" src="https://freight.cargo.site/w/1000/i/15e7a78a62de2373c73ad98dce10732e45efd9b6daa8da8821c8e96d113b7350/MV5BYmJlNDFhZWYtZGM3Ni00YjRhLWI4N2EtMzEyNmNmYTE2NzlmXkEyXkFqcGdeQXVyMjEzMDI2NDQ._V1_.jpg" /> WHITE SUN Directed by Deepak Rauniyar. Venice Film Festival (2016) Toronto Film Festival (2016) New Directors/New Films (2017) Nepal’s Official Entry to the Academy Awards. writer OLMO AND THE SEAGULL Directed by Petra Costa and Lea Glob. Winner: Best Film, CHP: Dox, Nordic Competition (2014)Winner: Young Juror Award, Locarno Film Festival (2015). script collaboration THOU WAST MILD AND LOVELY Directed by Josephine Decker. Berlin Film Festival (2014)‘10 Best Films of 2014’ —The New Yorker. co-writer <img width="1680" height="945" width_o="1680" height_o="945" data-src="https://freight.cargo.site/t/original/i/2931cbf3dea4585ca32ee2c1d45005cb90b4d0685791a155ec0b92eab8d2d079/Sophie_Traub_in_THOU_WAST_MILD_AND_LOVELY_dir_Josephine_Decker.png" data-mid="38726375" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2931cbf3dea4585ca32ee2c1d45005cb90b4d0685791a155ec0b92eab8d2d079/Sophie_Traub_in_THOU_WAST_MILD_AND_LOVELY_dir_Josephine_Decker.png" /> DAYLIGHT Directed by David Barker.‘Critics Pick’ —&nbsp;New York Times, New York Post. writer SEVEN DAYS Directed by David Barker. Rotterdam Film Festival (2004). writer AFRAID OF EVERYTHING Directed by David Barker.Sundance Film Festival (1999). writer CONTACT https://davidbarkerfilms.com/Etc Tue, 05 Mar 2019 03:29:02 +0000 David Barker / Filmmaker https://davidbarkerfilms.com/Etc Etc. HOME︎ OTHER WRITING Writing on Film “Knowing When to be Wary of Images” in Labour in a Single Shot:&nbsp; Critical Perspectives on Antje Ehmann and Harun Farocki’s Global Video Project.&nbsp; The Invention of Chris Marker — on a visit to Chris Marker’s studio. On Tarkovsky’s The Mirror Goodbye Language, Hello Love — on Jean-Luc Godard’s Goodbye to Language&nbsp; Not Understanding Uncle Boonmee — a talk for Deutsche Evangelische Kirchentag “This is more than a pause” - thoughts on quarantine and creative life Interviews with other filmmakers “I Try to Expose Myself to Unknown Territory” : Pablos Larraín on Ema “I Still Have the Illusion of Community”: Dominga Sotomayor on Too Late to Die Young “Imagination and Reality Go Together”: Alice Rorhwacher on Happy as Lazzaro with Josephine Decker and David Barker “Standing on Opposite Sides of the Road”:&nbsp; Pedro Costa on Horse Money “I’ve Never Understood a Traditional Screenplay”:&nbsp; Carlo Reygadas on Post Tenebras Lux “I Have a Problem with that Whole Narrative coming from Someplace Bad and Getting Out of It”: Micah Magee on her debut feature, Petting Zoo A Conversation with Nuri Bilge Ceylan Walter Murch on Editing and his Translations of Malaparte David Lowery on editing Ain’t Them Bodies Saints Claire Denis on Bastards (and Vivre sa Vie!) More links coming soon PRESS Portraits Transforming Information into Experience:&nbsp;White Sun screenwriter and editor David Barker. Reviews of films as writer/editor Screen on The Edge of Democracy Hollywood Reporter on White Sun Variety&nbsp;on White Sun The New Yorker on Thou Was Mild and Lovely Slant on Thou Was Mild and Lovely Reviews of Daylight The New York Times Chicago Tribune Los Angeles Times Variety Time Out ChicagoThe Village Voice Film Journal International The New Orleans Times-Picayune We are Movie Geeks IndieWIRE Ray Carney Reviews of Afraid of Everything The New York Times The New York Post TV Guide Variety Interviews IndieWIRE Metropolitan Arts League Zboneman &nbsp;CONTACT https://davidbarkerfilms.com/Contact Mon, 04 Mar 2019 20:07:21 +0000 David Barker / Filmmaker https://davidbarkerfilms.com/Contact For editing inquiries, please contact Lynne Richardson at Artistry lynne@artistry.net. For other inquiries, contact David directly here.