Etc.
OTHER WRITING
“Knowing When to be Wary of Images” in Labour in a Single Shot: Critical Perspectives on Antje Ehmann and Harun Farocki’s Global Video Project.
The Invention of Chris Marker — on a visit to Chris Marker’s studio.
On Tarkovsky’s The Mirror
Goodbye Language, Hello Love — on Jean-Luc Godard’s Goodbye to Language
Not Understanding Uncle Boonmee — a talk for Deutsche Evangelische Kirchentag
“This is more than a pause” - thoughts on quarantine and creative life
The Invention of Chris Marker — on a visit to Chris Marker’s studio.
On Tarkovsky’s The Mirror
Goodbye Language, Hello Love — on Jean-Luc Godard’s Goodbye to Language
Not Understanding Uncle Boonmee — a talk for Deutsche Evangelische Kirchentag
“This is more than a pause” - thoughts on quarantine and creative life
“I Try to Expose Myself to Unknown Territory” : Pablos Larraín on Ema
“I Still Have the Illusion of Community”: Dominga Sotomayor on Too Late to Die Young
“Imagination and Reality Go Together”: Alice Rorhwacher on Happy as Lazzaro with Josephine Decker and David Barker
“Standing on Opposite Sides of the Road”: Pedro Costa on Horse Money
“I’ve Never Understood a Traditional Screenplay”: Carlo Reygadas on Post Tenebras Lux
“I Have a Problem with that Whole Narrative coming from Someplace Bad and Getting Out of It”: Micah Magee on her debut feature, Petting Zoo
A Conversation with Nuri Bilge Ceylan
Walter Murch on Editing and his Translations of Malaparte
David Lowery on editing Ain’t Them Bodies Saints
Claire Denis on Bastards (and Vivre sa Vie!)
“I Still Have the Illusion of Community”: Dominga Sotomayor on Too Late to Die Young
“Imagination and Reality Go Together”: Alice Rorhwacher on Happy as Lazzaro with Josephine Decker and David Barker
“Standing on Opposite Sides of the Road”: Pedro Costa on Horse Money
“I’ve Never Understood a Traditional Screenplay”: Carlo Reygadas on Post Tenebras Lux
“I Have a Problem with that Whole Narrative coming from Someplace Bad and Getting Out of It”: Micah Magee on her debut feature, Petting Zoo
A Conversation with Nuri Bilge Ceylan
Walter Murch on Editing and his Translations of Malaparte
David Lowery on editing Ain’t Them Bodies Saints
Claire Denis on Bastards (and Vivre sa Vie!)
More links coming soon
PRESS
Portraits
Transforming Information into Experience: White Sun screenwriter and editor David Barker.
Reviews of films as writer/editor
Screen on The Edge of Democracy
Hollywood Reporter on White Sun
Variety on White Sun
The New Yorker on Thou Was Mild and Lovely
Slant on Thou Was Mild and Lovely
Hollywood Reporter on White Sun
Variety on White Sun
The New Yorker on Thou Was Mild and Lovely
Slant on Thou Was Mild and Lovely
Reviews of Daylight
Reviews of Afraid of Everything
Interviews